Celebrating again. Whoot!

 

Art as a reward for work done, if you remember ... art, also as a celebration when something wonderful happens. Something just did -- in fact, I'm still grinning like an idiot, as I said to an acquaintance on FB.

We're almost up to the one-year mark after the diagnosis from hell, where I was told my husband of twenty-six years had two years to live if he was very lucky. (Yes, I melted down. Yes, 2025 has been the year from hell.) We have fought this thing very hard indeed, and --

-- after a year of unremitting effort, we've just been informed (by his official neurologists) that in the last three months there has been zero deterioration in his muscle strength, no weight loss, and no change in the "markers" that measure how the condition is supposed to progress from diagnosis to disaster. So ...

... safe to say that the condition has been completely arrested at this moment. Call it remission, if you like. Call it whatever you like, the bottom line is that if we can keep on doing what we're doing, and maintain this status quo, then we can sail on indefinitely until --

Well, you know what we're waiting for. The scientific breakthrough; the therapy that goes into human trials. And Dave is at the forefront of this -- already known locally as the "poster boy" for the fight against this condition -- so that he gets chosen for those human trials. And then the new therapy works. 

This is what we're hanging on for, and the truth is (fact!) we're doing it. We must be doing something right because, statistically, 70% of people with this diagnosis are gone in the twelve months after said diagnosis, and life expectancy is 6 - 36 months after the onset of symptoms. Well, Dave is waaay past the three year mark, and he's still eating, talking, walking, driving, riding his bike (pedal-assist ebike: takes a lot of effort; you do not just sit on it and open the throttle. It isn't like a motorbike), he's sleeping well, has a good appetite, he's not losing weight, and he's not losing strength. In fact, I see muscles reappearing in his arms. Oh yes, I'm happy. So --

This is the part where we celebrate, and where I use art to reward myself for work done. And make no mistake, the last year has been effing hard work for me. You have no idea. You don't want to know. And yes, yes, yes, this is AI art. Why? Because I'm too ruddy tired to paint or draw or muck about with DAZ and Bryce and Terragen. Too exhausted. The AI is there to help me. Every bit of imagination is still buzzing around in my mind, and you know full well that in a normal year I would be painting and staging these scenes. At the moment, no can do, and yet --

-- oh yes, the imagination is still in there, and still thriving. So I decided to just stop whining about AI and let the images come out the only way they're going to at this moment. Now, all; (repeat all) of these images have been Photoshopped to squeeze the most out of them after they were generated by Gemini, so there is a two-level creative process. To begin with, you put your vision into the simplest possible form for the AI, which has the intelligence of a toddler with TBI. Something like this:

A fantasy warrior (he can remind you a bit of Aragorn, or something similar), is sitting under an old oak tree, resting, and he is wearing leather and linen costume, and he has long dark hair, and he has a lovely orange and white tabby cat in his lap, and he is obviously really fond of the cat, and it is late afternoon, and the sunlight is golden, and there are sunrays in the background, and the viewer gets the impression of an ancient statue just in the background that is buried in the earth and covered in moss, and I would like the image to be in "landscape" format at 16:9 ratio, and it should look like a really high-quality photo from an expensive professional camera, and the camera is about ten feet from the warrior, and only about three feet above the ground

The AI will get close-ish -- close enough to give you something to work with, then --

...the comparatively flat image is passed right into Photoshop and it is painted and enhanced, and then painted and enhanced some more. So there is quite a bit of artistic creativity in there, not merely the original inspiration, the imagination, and the ability to convey this to the AI in a manner than will get it to come out and play. You can also crop deeply into a lot of these images:

In this one, I've cropped faaar inside the original image, because a Gemini image is BIG, and its level of detail can be astonishing:

So yes, sure: these are AI images. But at the moment, Gemini is saving my artistic spirit. Without it, I would be slogging through life without letting my imagination off the leash at all, which would just about destroy me. I've come to the conclusion that the many people who are raging against AI are screaming into a hurricane. They have a just cause, and I used to scream right alongside them, but look ... no way do I expect to ever earn money from art! It just is. Not. Going. To. Happen. I don't take money for art, so why shouldn't I use AI to keep my creative spirit alive until Dave and I reach the end of our path ... whatever that end is, and wherever the path has led us. Wish us well. It's his birthday tomorrow, too, and just reaching it is an absolute triumph, so I'm smiling -- and celebrating. Hence, art. 

 

Old favourites, new techniques ... nice!

 

Old favourite characters from soooo long ago, I'd actually forgotten about them. This was a nice little romantic fantasy back in 2010 (!) ... and I decided to use some old, old renders to test out some new theories. I've wanted to paint for a long time now. Not render. Paint. What you see here is 50% ancient raytrace, 50% painting -- and when you upscale an old, old render, boy, do you have to do some painting. They pixelize badly ... which gives you a project, and opens the door to a whole lot of painting. This was all done in Photoshop, for the sheer convenience of it. Not saying it couldn't have been done in Krita, but the truth is, it's rather a long time since I've played in Krita: the interface isn't as familiar as it used to be, and I'm way too tired to faff about. But -- yay -- everything worked! Now I can't wait to do more! Oh, yes. And speaking of painting --

That was an interesting project, and I'll leave it to you to figure out what was painted, what began as a transparent .png, which bit started life as a photograph, etc.. It's a combination of all three, and/but nothing was used in its original form -- which is why it looks seamless when it puzzled together.

This one, though, is a painting, pure and simple. From scratch. Started with a photo, which I took at Lyndoch Hill a couple of years ago ... did a sketch from it ... painted. Musk Lorikeet ... nice ... and this is the first time I have managed to hand-paint feathers that actually look like feathers! Every time I've tried, previously, I've got fur, not feathers, LOL. I knew I'd figure it out but -- dang, it took about five goes to get it. Ha!

So -- all experiments turned up positive results, and now I can't wait to paint! 

Something whimsical and "feel good"

I call the top picture "Listening at the Window," and the second "Rainy Days." These were such fun to do, and a huge departure from the usual stuff I do. They're also a lot more complex than they might seem! To begin with, I don't (yet) own either an owl or a cat (they're on the list!) so both of these had to be added in post, in Photoshop ... from transparent PNGs, which you can get for free from a remarkable site, which I assume is kosher. If it isn't ... ahem! Oh, while I'm in this neck of the woods, I should mention that HDRI Haven has changed its name and address to PolyHaven ... another godsend for resources. Fantastic place to get images to drive environment mapping for ambitious scenes like this:

Any chance I can get you to look at that one full size?! Thanks! That was such an ambitious project, in a HUGE set, with two spacecraft, two droids, and three armoured figures, plus an atmospheric plane. I'm just amazed that it only took 45mins in Iray -- and that's the magic of the low(er) poly figures of yesteryear. Then ...

We'll close on this one today, I think! The old DinoKonda, for which I did a new skinmap, and dug around till I found the DinoKonda Plus morphs to make it bigger and badder! This was a neat project too, so filled with shaders and props. Oh! One last image for today, before I sign out -- speaking of shaders, that is! This --

I treated myself to some new toys! Bohemian Candles by Sveva, from Renderosity, and ROG's Fantasy Home props from DAZ. I've also been installing scores and scores of older items from the 2010 - 2019 content ... am juuust starting to knock a dent in that work! The oars are definitely back in the water. 

Touching base with pretty things

Touching base in April with images -- not specifically art, but straddling that line where photography and art merge, one into the other. Why? Because my big PC (which handles the 3D art programs) is staggering, and if I try for a long render, it'll croak! Also, it's permanently offline with an uncooperative modem. And I can't get a new system till Christmas! So 3D adventures will just have to wait ... but I do want to touch base at least once a month, keep this blog juuust ticking over, and say hi to everyone, especially when we're all locked down so tight, I know a lot of people are increasingly bored out of their collective gourd! So...

The big news for me personally is that I took the plunge and bought a new camera in February. The bummer deal (and that is putting it mildly) for the whole world is that by the end of March the pandemic was hitting everyone, everywhere; and as a result, I can't take the new camera anywhere until about September! To set your mind at rest --

Dave, Mike and I are in the safest place in the world, in South Australia. This state is starting to see days with zero new cases reported ... SA was able, via stringent measures and public cooperation, to hold the number of cases reported locally to very low numbers (in a state of 1.7m people, most of whom live in the metropolitan area, only 433 people have tested positive by the time we start to see our "zero days." Never more than twenty people, maximum, were hospitalized at one time, and I believe the most people at one time in ICU was six, (possibly seven). There have been four  -- yes, just 4 -- fatalities in this state, but my information is that each them was literally too sick to be rescued after contracting the virus overseas, most often on a cruise ship. One's heart goes out to the families of those four grandparents who, tragically, came home to die ... at the same time, one applauds SA, where -- at least to this point -- no one actually who fell sick here has perished, because medical care is top-notch, free, and fast. At this time, I'm extremely proud to be a South Aussie.

So, where are we at this moment? In lockdown, yes; in self imposed exile ... not taking the new camera anywhere -- being good and "staying home." But in the few expeditions where I had the opportunity to field test it, I was impressed: Leica lens elements, 20.3MP, 1,005mm zoom, far better "register" than any of the Fuji cameras, which all gave very harsh images. I'm loving my Lumix TX90 and -- well, roll on September, when the lockdown lifts and we can go places! We'll be visiting Mount Gambier, Clare Valley ... lots of places. Having said that, at this moment we're all well, and working hard. I'm writing. I've sold four short stories to SF and fantasy magazines, and am working on a second novel. Am also looking forward to the end of the year, and that new desktop PC with the "oomph" to run the demanding imaging programs, but till then...

...well, till then I'll touch base now and then, either with photos or art, even if the art is reposted ... or perhaps a review of an artist, or art book? However it works out, Christmas will be upon us before you know it. Someone said not to long ago, "Once you get past Easter, the rest of the year goes like a shot." Uh huh. Easter was last weekend, and I spent the four-day "break" (a misnomer, because when you're in lockdown there's nothing to take a break from; and Dave had shifts right through Easter) transferring hundreds of Gigs of data to and fro between drives. Now I have access to every digital shot I've ever taken, back to the first 1MP Kodak camera we ever had, in something like 2001. So with every image at my fingertips...

--suffice to say, there's no shortage of images to share! And there is a line where art and photography blur, one into the other. I like to think that I'm riding that line a lot of the time. And yes, this year, like a kid, I'm waiting for Christmas! There will be a post called "Happy New Computer" at some point! Then I'll spend a few days getting everything installed, and we'll get back to 3D art. The wonderful world of Iray. Till then -- have some more photographic eye candy here.

See you in May! (Or perhaps sooner, if some of the art ideas in my imagination that don't involve long renders bear fruit...)

Happy New Camera, 2020!

So -- where's the art? Is this a 3D art blog, or what? Yes it is ... or was ... and will be again; but first comes the new computer. And before that comes about $2,500 in "spare cash." It'll happen at the end of the year, and then -- yep, art. Now? No can do. The desktop that handles DAZ, Terragen. Bryce and all the rest is staggering. You can't do 3D art without a powerful computer! We'll get there, but we're not there yet, guys. Patience.

But what I could do was replace the old camera!

After a year or more of bemoaning the fact that my Fuji HS50 has almost completely given up the ghost, well ... it was time to get a new camera. I've been researching them, looking at reviews, trying to figure out where the "sweet spot" lay, between needing something good, not having unlimited dollars to invest, and also needing to buy something that was light to carry about. So --

All things taken into consideration, I wound up with the Lumix TZ90, from Panasonic ... at at $438, it was an absolutely amazing deal. Then, there's its Leica optics, and its bells and whistles --

Ahem! Suffice to say, I'm having a lot of fun. More fun than I've had with photography for well over a year, because I knew that most of the shots I wanted to get, the HS50 would spoil. (Almost everything had stopped working on it: light metering was off by a mile, and I'm sure its focusing system was way off too: you'd pull focus "here," with your chosen object right in the crosshairs, and it would focus about ten degrees of arc away. Not fun. Not fun at all.)

So, in the last year or so I haven't done very much with photography; and I've missed it. The hobby gives you a reason to get out there and hike around, go the extra "nine yards" in order to come back with superb pictures. What's the point, if the camera is only going to spoil them? So --

The biggest step was making the decision to set down a great wad of cash. With that decision out of the way, the next was to work out which camera to buy ... and you really are spoiled for choice these days, no matter your price bracket. I think I spent about ten hours, hunting down individual cameras, reading reviews, comparing features.

And it all came down to a choice between a Canon PowerShot, and the Lumix TZ90. They are comparable; but the Lumix does a great deal more. It has those Leica optics, and a 3" touch screen display, plus a 'finder ... which the PowerShot doesn't have. The decision turned out to be the right one for me...

...I know, I demand a lot of a camera. I've used Fuji for well over ten years now -- had four of them; but the last one was surprisingly fragile, and I was honestly shocked when it started to break down in just a couple of years. I think I noticed the first "hmmm" moments after the second year. This time around, I've made the promise to myself, to be ultra-careful with the new Lumix, and deliberately NOT take liberties with it. Don't knock it. Don't let it hit anything.

Sooo I've just got myself a spare battery plus charger (there's another hundred bucks!), and have also ordered a camera bag, which will fit the Lumix snugly, not let it move about, and damage itself...

With any luck the camera bag will arrive before Dave and I take off for the Limestone Coast at the end of this month. If not, I'll have to MacGyver something to protect the camera on the road. I'm looking forward enormously to the trip. We haven't been to Mount Gambier in eight years. Hoping to get good weather for this one ... the last trip (our second to the Grampians), we had rotten luck with the weather for most of the time. On that trip, the HS50 misbehaved so much, I ended up using the phone for almost everything -- and every image in that blog post I just linked to was done with the phone -- an UmiDigi something or other, with 14MP and a lot of bells and whistles. Okay, I was impressed with it. But I still need a proper, functioning camera...

My other hope is that my health picks up a bit before we leave. I'm basically going one day at a time right now, and while I know I need to see a doctor and find out what's wrong ... I also know what the tests are going to be like. I'm putting them off as long as possible, because I just don't want to go there. Not ready yet. I'll know when I am. So --

There you have it! Happy New Camera, 2020! This is going to be big fun ... in fact, the fun has already begun. Pictures here were taken at Belair NP, Punchbowl Lookout, and in the back garden right here at home. Monday, we went to Onkaparinga Wetlands, and although the sky was far from blue and the sun far from bright, I got lovely pictures, which you can see on another post, on my travel blog, right here!