Showing posts with label Halloween. Show all posts
Showing posts with label Halloween. Show all posts

Saturday, October 28, 2023

New art, new projects ... fantasy, dragons, guy-candy, websites...


I know I keep saying, "Well, I'm back, to quote Sam," and then vanishing again. Life is like that. You name it, it's happened in the last few months -- doesn't mean I haven't been painting, rendering, doing all kinds of work --

So, what have I been up to in the last couple of months? It's been busy, and a lot of art has been produced, but it's mostly been more commercial in nature ... less experimentation...


...in fact, I would dearly love to get back into CG work. DAZ, Iray, Terragen, Bryce, whatever. I can't believe it's been close to two years since I regularly did that stuff!

What slows me down (read: brings me to a complete, dead stop) is the price of new props. Those 3D toys that put the zest into the work. They've become waaaay more expensive at the same time as the cost of living has blown out to kingdom come, and my income stream(s) have dwindled away. So, for me it's digital painting, plus the fun of using AI to generate elements for re-re-re-composition. In terms of creativity, I've been "all over the shop," up to and including children's illustration...


...but one of the things I've enjoyed most is going back into older work and matting it, reworking it, turning something old into something new:



...but the major job I've completed recently is a website for the Sherlock Holmes novelist, Dr. Mike Adamson. This was a challenge, because to complete it, I had to illustrate it -- that was part of the deal, and it meant creating over 100 pieces of fresh art in just a few days. Impossible? Mmm, it would have been, in the days before you can source the elements from AI before the work/fun of painting and compositing begins. Suffice to say ... I managed it. Here's a few of my favourite plates, in their original form, prior to painting:


Well, the website was done on time, and ... wow. Not only was it a fabulous experience producing this, but the finished result made me soooo envious, I had to tackle one of my own! Mine, of course, is based more around art and photography than writing, so it's fraught with practical issues that Dr Mike's more text-driven site was not



...and here's a sneak preview of mine, which is still under construction...


And mine is going to take some seriously hard work to complete, because it'll have something like 500 images, all of which need to be "called" from thumbnails, lest the pages be a 70MB download each. Even given today's speeds, this is impractical. Even a slightly sluggish connection would make for a horrible download experience. But -- when the site is done and uploaded, it will replace the old galley. So, if there is anything you want to grab off that ancient gallery, get it while you can, because when it's gone, it's gone. 


Now, on top of all that ... pile on a nasty case of Covid. I'm currently coughing up both lungs and seriously considering lying down at two in the afternoon. In fact, I believe I will --!

Monday, May 15, 2023

The Mighty Fred ... and Autumn comes to Fangorn

 








Argh. What a day. Nothing went according to plan, and so much went wrong ... I just want it to be over. I managed about one tenth of what I'd intended to do, and even that was a change of plans from the day I'd wanted. Still, we'll end the day with a car that actually works, and the cloned, fake facebook account removed, not having bought into a telephone scam, having read the riot act to a stalker on social media, and with a pot of chilli on the stove for dinner. Aside from being deeply out of pocket to fix the car (ouch), the rest of it is under control. It's just been way more aggravation than I can take and come up smiling.

So ... another take on the fantasy hero, with a Lexica disaster rescued, repaired, repainted. What a mess this one was! Lexica buried the costume inside the character's body, muddled the leather and the metal ... took ages and a lot of work to fix it, so I'm abso-ruddy-lutely signing this one.

On the other hand, I won't sign the "Autumn in Fangorn" images, because I didn't do much of anything at all to these. Dodged and burned them to get the most out of them, otherwise the prompt seemed to work very well indeed. I've been having some good results with landscapes in the last week ... I'll share some more soon.

For now, all I want is coffee and make today go away. So ... signing out. 


Thursday, October 31, 2019

HAPPY HALLOWEEN! Featuring ... 'The Possessed'


Happy Halloween, guys! And the last piece of 'Halloween Spirit' art for 2019 is The Possessed. It's the half-seen, half-materialized figure in the background that creeps me out. How about you?!

Looks like a job for the Exorcist we saw the other day, right?

This week's been fun ... psychic warrior, vampire hunter, exorcist, warlock, possessed, the works! This one, today, took an hour in Iray: Genesis 8, Landon hair, costume -- and one light. That's it. The rest is a blurred out, painted-over backdrop, and all the other effects are Photoshop over-painting.

The character reminds me of -- well, has anyone seen Look What's Happened to Rosemary's Baby, starring Stephen McHattie? This guy has McHattie's cheekbones, no doubt about it! The other movie you might have seen is The Possessed -- 1977, a TV movie with Harrison Ford (!) in a costarring role, looking exactly like Han Solo in spectacles. I kid you not. Too cute, right? You think I'm kidding? Nope. Try this for size:


...and if you fancy scaring the willies out of yourself, you can watch it on YouTube. You're welcome! I actually have a copy. 😝

So -- Happy Halloween to all! More soon. Only one image today, because I was out of commission with a migraine for half the day, didn't even start to come back to life till about 4:00pm, so there was only time for one project. Blisteringly hot weather is migraine weather for me, what's new?


Wednesday, October 30, 2019

Don't go down to the woods tonight ... really. Uh, Halloween!


Halloween spirit! If you go down to the woods today, you're in for a big surprise ... there's no teddy bears, for a start! The battle between light and darkness is being fought out on this turf. There's a 'night warrior' abroad, armed and dangerous, and he's on the hunting trails.

Which means we need the reverse shot here -- get a look at what, or who, he's hunting! Here we go:


The warlock -- weird, and altogether not nice! Let battle commence...

That's CC Foster in the first picture, which is an Iray render. The costume is "kit bashed" from three different cossies ... that's the grave marker from the Reparation set, and a lantern from one of the DM sets. A couple of the Gnarly Old Trees props ... also some lovely props from Merlin's Wild Borders in the background, but with the DOF set so strongly (ie., a big virtual aperture), alas, you can't see them properly. In the second picture, that's a raytrace of Michael 4 wearing the Warlock morphs and skinmap, the Hermes hair, the Lockwood shirt, which I painted out into a robe, plus a couple of very neat props from the Staff Pack. Both were painted quite a bit in Photoshop to increase the atmospherics and spooky factor.

No particular story attaches to these images: it's too obvious! There's evil on the loose, and the locals have sent for the warrior who takes them out, or down, or whatever it is they do. Fun!

Tuesday, October 29, 2019

More Halloween spirit: this vampire plot thickens!


Is it me, or is the vampire hunter Jean Pierre Marin as irresistible as the plot? I couldn't leave this alone so soon, so we're coming back to the hero one more time. This would be the scene where he seeks help from his friend, who is an exorcist with a power to handle energy--

Did you miss Part One? See it here. Now: The exorcist, an Englishman by the name of Daniel Crowe, has followed the vampire Alighieri from place to place through France, for months trying to put an end to him. Crowe was summoned to deconsecrate the church, where Alighieri slept in the crypt for over a century. The tumbledown ruin -- long said to be cursed, and avoided by all who knew it -- was watched over by an old, retired priest who knew its sect. Nothing Pere Andre could do would prevent the demolition of the church, and he saw Alighieri leave the crypt on Midwinter's Night. It was Pere Andre who wrote to his old associate, the exorcist, Daniel Crowe. Now, a trail of blood has led Daniel to Paris, where he and Jan Pierre meet, on the same hunting trail...

And Daniel, of course:


It's delicious, isn't it? In fact, I could really get into this! It needed to be a movie, starring Keith Hamilton Cobb and Hugh Jackman about 15 years ago, when they were both at their most delicious. Anyway --

The set-up for the piratical young hero is the same as last time; just switch out the backdrop. The set up for Daniel Crowe is obviously Michael 4, wearing the Lee skinmap and Neftis's GQ Event hair, and the Beowulf suit. Because I used a backdrop (another clip out of a Sveva image) it rendered fast ... it also rendered so flat in Iray, I did a second one as a raytrace, slapped both of them into Photoshop and blended them together, then over-painted almost everything to get the most out of it. This one is mostly painting, while the top image is almost entirely pure render. No matter: the M4 render took about eight minutes, and the Photoshop post work, another ten. Who's going to complain, at that!

More tomorrow! I have another idea, and if it comes together fairly quickly, I'll leave it to render while I head for bed. Yaaaawn...

Sunday, October 27, 2019

Halloween spirit ... vampire hunter, anyone?!


With Halloween coming up in a few days, I couldn't help clicking into the vampire hunters mode. Am not such a huge fan of zombies, to be truthful, but I can get interested in vampires, given the right setting. (Uh, Frank Langella hits the spot for me, nudge, wink.) Sooo...

Let's say...

THE STORY (indulge me)

Paris, 1893. A foggy night at the end of October ... you hear the horns of boats on the river, you smell the still, oily water. The clip-clop of horses' iron-shod hoofs, cabs and carriages going by; the shrill sound of laughter in the taverns and bordellos of the oldest part of town. Our (gorgeous) hero, Jean Pierre Marin,  is abroad, hunting an and ancient, immortal abomination who is known only as Alighieri. This vampire is so old, he was painted by Caravaggio in 1604 ... he slept in the ruins of a church outside Boulogne until the building was demolished, the crypt emptied out -- which brought him back into this world. Alighieri has already taken two of Jean Pierre's friends and captured his young sister, Roxanne, who's hardly more than a child. It's been a week-long hunt through the docks and slums of areas of Paris that were standing when the Musketeers were this city's heroes. At last, Jean Pierre has tracked Alighieri to a place from which he cannot fly, and where he cannot hide. With the life of Roxanne in the balance, the two meet in a street in the old quarter, for a  battle from which only one will walk away.

And the reverse shot --? Here we go:


Uh huh. Wouldn't like to go up against this one on a dark night!

What you have here is two NVIDIA Iray renders ... The Hunter: Genesis 8 with a body more or less designed by me ... the face is actually Rex, and the figure is wearing the Kingston skinmap and Varun hair. The cossie is the bottom half of the Buccaneer costume known as Crimson Seas (for GM 3 and 8). The backdrop is a snap out of one of the Sveva "Variety" set, with Photoshop effects applied to it; and I just flipped it horizontally for the reverse shot. In the second image, The Vampire: that's Michael 4 wearing the Bart skinmap and the JM Alexander face, the Aether hair set to dark brown. The cossie is the pants from the Lockwood costume. I did some Photoshop painting on the M4 render to make it a bit more interesting.

The good thing about rendering M4 is that you can get a render in half an hour flat ... low poly count figure. The bad thing is that M4 can render very flat. So far I've only discovered two skinmaps that render up in Iray looking superb -- Ferendir, which is very Norse, and Atlas, which is very swarthy. Am working my way through my whole collection to see what works. This one here is Bart; again, flat and matte, just like the high rez Michael 4 skinmap; but at least it doesn't dither up a red and green storm, like JM Falcon! I can just about work with Bart, but I could wish it had a healthy glow about it. Mind you, being flat, like this, it was the perfect choice to slap onto the Vampire Alighieri.

More soon -- Halloween stuff! I have some neat ideas and a few nice things to work with, so...

Ciao for now, and take another look soon.

Saturday, November 3, 2012

Free ebooks! Because I'm having a birthday...


Yes, it's my birthday weekend. Don't ask how old I am: 'tis a delicate question. Keith Hamilton Cobb (tall dark and beautiful, dreadlocks and all) had the right answer, when someone asked him how old he was -- in fact, he was about forty, not that he looked anywhere near it. But he said, "Old enough to know better, young enough to do it anyway." Well said.

So, since I'm having a birthday, I thought -- let's party. Let's have freebies, and ebooks make the best e-gifts. I thought about wallpapers, but in fact the blog is full of them -- I've been uploading art at 1200 and 1600 wide for over a year now, and all you have to do is go back through the "of interest" posts, save the art and you're done. So then I thought about ebooks.

Here are three, and I've formatted them to work well with the 10" screens. In fact, we just got a netbook with a 10" screen, so I was able to test them for size and appearance. If you want to see the whole page at once, in the proper orientation, use Acrobat's "rotate page" feature, and stand the netbook on end, as if you're holding a large book. Also, I set the type for the stories in 14 point, so even if you're reading at 75% page size, it's still easy reading.

(The only thing I haven't done is to test these books on the 7" tablet ... because the battery appears to be flat, and it takes forever to recharge. But I think it ought to work just fine, because of the 14 point text.)

So, here are two ebooks, all made in Serif Page Plus, for those who're interested in the "how" aspect. I've done them as PDFs specifically because I wanted to achieve a blend of art and text with an overall "storybook" layout, like this...

...and so forth! As much as I love the epub file format, you can't do this kind of thing in epub ... they're strictly for reading, with "header art" style illustrations -- not what I wanted here. So, good old PDF it is this time.

I've done three books, and by now you'll pretty much know what they are! I've made up The Legend of Chino Vollias as a very lovely book; I've done the same for Invitation to the Crypt, which you read a few days ago, for Halloween ... 

Someone was asking about Photoshop the other day, I forget who, but the answer is -- Photoshop: Elements 10 is included FREE on the installation disk for the Wacom Bamboo. The program is worth several hundred bucks, and if you're buying the mouse pen/tablet drawing set, there it is, registration number and all. I got the Wacom Bamboo for my birthday ... actually, I got it weeks ago, have been using it and loving it:


The only difference between what you see here, and my setup is that mine is organize to run left handed. I'm, uh, ambidextrous. I know it's really weird ... some things I like to do right handed, some things I do left handed. So my Wacom is set up exactly opposite to what you see here. And I love it!!

So where's the goodies, right?

Here you go:

An Invitation to the Crypt -- almost identical to the version published on the blog a short while ago; richly illustrated, formatted to suit the 10" screens or a laptop, whatever. The only downside is that the art has pushed the file size out to just under 3.5MB. That's not too bad, when you think about it. There's no DRM on the file ... the only thing I would ask is, if you're going to share it with friends, please ask them to visit the blog and download their own. Why? Because when they get on the blog, they might spend half an hour looking at my stuff, and that would be nice. Any warnings? None. There's a "subtext" relationship, if you choose to see it ... Amadeus and Rick are almost certainly intimate. But the story is written in such a way that if you prefer to overlook this and see two good friends, that's all you'll see. [Sorry: dead link. But you can still read the story in its newer, polished format -- with a suite of new artwork. It has had a title change and is now Invitation to The Crypt, and the new artwork looks like this -- more than worth a look, trust me. You'll find it on my writing blog, right here.]




The Legend of Chino Vollias -- in every way identical to the story which was published for the "Happy Post 700" blog entry ... also richly illustrated and formatted the same way, to suit the 10" screens. The download size of this one is also a tad high because of the art -- you're looking at a whisker over 5MB. Sorry guys, but high-rez art does this to the file size. Again, there's no DRM, and the only thing I ask is that if you want to share, send your friends here to pick up their own copy ... same reason. Any warnings? No. There some nudity, but nothing you won't see on any beach downunder. There's a passing allusion to the fact Chino swings both ways, but the main romance is actually straight. [Sorry: dead link. But stay tuned: I'll be publishing the story to my writing blog momentarily, at which point this link will be live again, albeit as a streaming-read, web based, not a PDF.] 

You might notice that the download links refer back to my old, defunct 2012 gallery site. The gallery is done, but these links
should still work. If they don't -- it's fixable, but I'll need someone to let me know that these links have gone dead!

Enjoy ... um, "Happy Birthday to Me." 

Jade, 3 November (celebrating over the whoooole weekend!) 

Wednesday, October 31, 2012

Halloween 2012 Update: one of the images didn't upload! Here it is...


click to see at full size ... 1600 pixels wide; makes lovely wallpaper!

Shock, horror! I came back to look at my Halloween story from yesterday and realized -- one of the main images didn't upload. Didn't upload!

There were four major pieces, a raft of "detail" outtakes from them, plus a smaller from-scratch painting of the moonrise. So you can imagine the screech, this afternoon, when I came to look at the post and saw an empty space where the second of the four main paintings was supposed to be!

Better late than never, here is it.

Now, how did that happen?

This update post also gives me an opportunity to share another image or two with you...




;Edit: the Bookshelf site went down in something like 2015. It hasn't been there in a long, long time, so of course the following links were dead as dodos. I took them out -- sorry.]

...these pieces, and more, were done to illustrate a new web interview hub called Fireside With Lichen Craig. It's going to be a lot of fun watching Fireside develop, and I'm delighted to be a part of it, albeit a small part, via the art. (There's a really good interview with Mel Keegan, for a start...)

Next projects for me? I have a story going around my head that is starting to demand to be written ... and I've been asked to write a quick post about how to do pieces like this one, at left, which appeared with the Halloween story. It's actually very easy to do pieces like this -- it took about three minutes flat, but you'd never know it, to look at the result. 

And a project that's been  niggling in the back of my mind: a proper, full-on painting, from scratch. No 3D work visible in the final painting. I'd love to do this, but I'm mindful that these paintings take scores, or even hundreds of hours. Eep. Then, I need to work up a "writings" page on my main gallery site, where all the fiction can be archived ... and I also need to spend an afternoon on his blog, bringing it up to date -- new quick links, archives, so much to do.

[2013 Edit: my new Gallery will indeed have a page for fiction, but all of what will be there is already available on Jen Down Writes. Thanks for looking!]

Many thanks indeed to the folks who let me know they enjoyed the Amadeus and Rick Halloween story! I got a kick out of writing that one, too.

Jade, November 10

Tuesday, October 30, 2012

An Invitation to The Crypt ... Happy Halloween 2012!



(click to see all art at large size)

The invitation was delivered in the morning, though Rick had no idea how it had found its way onto the phone table in the hall.
The postman had not been; a courier would have rung the doorbell, but at ten o’clock the house was still quiet as a crypt — just the way Amadeus liked it. Not gloomy and dingy like a tomb, but just as quiet as one.
The boss had been asleep for an hour when Rick yawned his way down the wide curved stairway, headed for the kitchen with coffee on his mind, and nothing louder than the tick of a grandfather clock in his ears. The doors and windows were all locked up … and there on the polished walnut phone table was the proverbial engraved invitation.
It was the old fashioned kind, gilt-edged, ivory card, hand-written in the kind of copperplate only seen in greetings cards these days, where it was computer generated. Nobody was expected to actually able to write copperplate anymore. But the person who had sent the card could certainly do it:

Tonight, moonrise, Saint Jude’s, the Tomb.
Cordially, as ever,
Jake M.

Rick spent several minutes trying to remember anyone Amadeus had ever spoken of who went by the name of Jake, but there was no one. The card was probably from one of the antique dealers or auction houses he dealt with. There was a Jean, and a Jules, and a Jacques — copperplate would be just their style — but no Jake.
Thinking nothing more of it than to wonder how it had materialized on the phone table, Rick stuck the card into the back pocket of his jeans as he headed into the kitchen and followed through on his coffee plans. Like the rest of the house, the kitchen was vast, fully-fitted, and almost as old fashioned as Jake M.’s card. Amadeus liked antiques as much as he liked quiet. He had no affection for computers, but he did possess a laptop and a cell phone, which he viewed as unfortunate necessities, like the blood-scarlet sports car which was parked in the old coach house that had been converted to a garage.
The quiet saturated the house — like a tomb, Rick decided, and pushed the earbuds into his ears, turned on the MP3 player to remedy the situation. When Amadeus played music, it would be Handel, Haydn, Mozart, Bach, Vivaldi. He had no desire to give house-room to Johnny Cash or John Barrowman. As he would say, “That’s what MP3 players were invented for, Rick” … and Amadeus was the boss.
Coffee in one hand, a yesterday’s croissant heated up in the other, Rick drifted into the drawing room and cracked open a curtain to peek at the weather. Amadeus might be happy to drowse away the daylight hours, but Rick had things to do —



But not today. The sky was gray, already low and still lowering. It was shaping up to be a dark and stormy night, if the wind did not shift by a few compass points and move this weather front to north or south. Rain flecked the window glass, and Rick shivered as he turned on the laptop, looking for a weather forecast. The trick or treaters would be in for a drenching, unless the wind changed.
And according to the forecast, it would. Winds gusting in the afternoon, shifting easterly, showers clearing ahead of a calm though humid evening. Perfect for the kids in the ghoul masks and witches’ hats … which meant Amadeus would be inclined to keep the rendezvous at ‘The Tomb,’ at St. Jude’s.
It could only mean the old churchyard. The tombstones were so old there, the most ancient dated back to the Napoleonic Wars. Then again, so did Amadeus, and there were times when he seemed much more comfortable with things of the past than the present. It was probably an occupational hazard when you were so old, you remembered wanting to toss salad at the stage on opening night of Hamlet.
Not that Amadeus would actually throw vegetables at an actor, Rick allowed as he turned on the gas fire and sank into one of the winged leather armchairs. He remembered the invitation card in the nick of time before he sat on it, and put it on the mantel, propped up against the clock. The boss would sleep way past noon, as he always did. He would make phonecalls and set up a few deals in the late afternoon — there was big money in antiques, and Amadeus was not so much an expert in the field as simply someone who knew gems from junk because he had been there at the time.
He would see the card propped against the clock when he came in for the phone and laptop. Rick had other things to do and promptly forgot about it as he began to tap his toe in rhythm to Johnny Cash and thought, whatever they’re paying this porter, it’s not enough.
He remembered the invitation at six, when the strains of Handel wafted out of the sound system in the office. Xerxes. Amadeus was singing with the tenor part in a rich voice, dead in tune. Rick was not about to ask how he knew the words. He looked into the office to see Amadeus combing the long, snow-white hair that was his signature, the only part of him that had ever changed with the years. He had had raven black hair in his youth, and for reasons unknown his hair gradually became white as Gandalf’s with the years, while the rest of him retained the smoothness of skin and tautness of muscle of a thirty year old.
“We’re going out,” Rick guessed, seeing Amadeus’s choice of black silk tunic.


“We were summoned,” Amadeus observed.
Rick’s memory jogged. “Oh yes, the invitation.”
“You don’t get invited to a tomb.” Amadeus finished combing the white silk and hunted for a clasp.
“You might, on Halloween,” Rick argued.
“Perhaps,” Amadeus allowed. “But in this case, I’m being summoned. There’s a difference.”
“The summons could be for us.” Rick watched him fiddling with the gold clasp. Silver gave him a rash but he liked gold.
“Jake doesn’t know you,” Amadeus said unconcernedly.
“Oh. Which means I don’t know him.” Rick might have been waiting for Amadeus to say, well, duh, but it was not the kind of thing Amadeus was ever likely to say. “He doesn’t mind if I come along?”
“I shouldn’t think so. It’s me he’s after. He always is.”
The remark made Rick’s brows rise, but he wisely made no remark. People had pursued Amadeus for more centuries than he cared to recall. Rick knew a few of the stories.
There was Lady Jean Hargreaves, who pursued him from London to Italy, where Amadeus managed to get her engaged to a Count Enzo Bertolucci, and made his escape with the Baroness Greenbrough, who was flattered because she thought she was old enough to be his mother, when in fact she was off by at least a thousand years. 
Then there was the wealthy widow, the Right Honorable Mrs. Alexandra Campbell-Hay, who claimed she was pregnant with his child for three years, at which point even the most skeptical of Amadeus’s critics realized something wasn’t quite right, and Amadeus made his escape with Madame Alicia Cuvier nee-Jones, the Welsh wine heiress who was tragically drowned in a tank of Chablis when the ladder she was climbing collapsed during an earthquake.
And the famous artist, Oscar Riverside, who expressed his ardor by panting Amadeus in the nude in 1894, and had to go to court to recover the painting when it was confiscated by the morality police — seized right out of the gallery where it was on exhibit, much to the chagrin of the manager, who had never before seen ‘standing room only’ in his gallery. Amadeus was briefly famous (some said notorious), and retired to the south of Spain for several decades to let the dust settle. Oscar Riverside painted famous nudes till a Zeppelin raid on London in 1916 ended his career — as Amadeus said, you had to be fatalistic, because Ossie had spent far more time in Granada than in London for the last twenty years (and make of that what one would); and in any case, what kind of idiot would go back to London with the Zeppelins headed that way?
Sometimes Rick was more than halfway convinced Amadeus made it all up — but then he would remember that the passageways upstairs were lined with portraits. Lady Jean was a big-busted beauty with apple cheeks, a sweet little smile and a psychotic look in her baby-blue eyes. Baroness Hortense Greenbrough was a stout matron of sixty, with henna-red hair and enough rouge to paint a fire engine. Sandy Campbell was a whey-faced twenty-something with her eyes fixed on some spot in the fourth dimension. Allie Jones was a reed-slender lass with a big nose that looked as if it would glow in the dark. And Ossie Riverside was a tall, broad shouldered, long legged show pony, if Rick had ever seen one, with big green eyes and red pouty lips, and a penchant for curling his hair and wearing it six inches longer than the current fashion.
The fact was, you couldn’t make this stuff up, Rick decided as he watched Amadeus get ready to go out. Well, you could, Rick allowed a moment later, but Amadeus was not the type to make it up. He had grown stupefyingly rich as an antique dealer. He owned six houses around Europe. He was the patron of a major symphony orchestra. He owned an art gallery in London and a vineyard in Provence. He had dated movie stars — Margaret Lockwood and Rudolph Valentino; and he had the snapshots to prove it, insofar as Amadeus had anything to prove.
The weather had improved during the afternoon and evening. As the wind shifted to the southeast, it actually felt warm, and the wave of air coming through from Europe was heavy, humid. Amadeus never felt the cold in any case, being what he was, and Rick was soon sweating as he opened up the garage and aimed the remote at the car. The lights flickered and the car issued a yelping sound, as if someone had stood on the tail of a very small dog. He shrugged out of his windbreaker, pulled the black teeshirt off over his head, and put the windbreaker back on.
“You look like you’re … cruising, is that the word?” Amadeus’s voice was startling, from the doorway of the converted coach house.
“Don’t con me,” Rick admonished, “you speak the language.”
“I’m sad to say, I do,” Amadeus sighed. “Modern English is rather faff, don’t you think?”
“Not if you were born after 1995,” Rick snorted. “You don’t want to know what kids call English the way you speak it.”
“Not faff, I take it?”
“Get in the car.” Rick brandished the ignition key. “We’re late.”
“He’ll wait.”
“This guy, Jake M. Someone I should know?”
“You’ll know him soon enough … in fact, you probably already do, you just don’t realize it.”
“Oooooh, that’s so … so Amadeus,” Rick accused. He watched the tall, lean body slide into the passenger seat and asked, “You, uh, hungry?”
“Not today.” Amadeus ran up the seatbelt. “Tomorrow.”
“Your call.” Rick started the car and backed out.
He turned the car and headed down the long, curved drive toward the tall black iron gates, which opened automatically before the car, and closed up the same way when it had pulled out.



Saint Jude’s was an old church with an overcrowded cemetery. It was probably past due for clearing. The developers were dying to get in because there was at least half a billion’s worth of real estate there, in anyone’s currency. But until the ground was deconsecrated, the church demolished, the historic tombstones salvaged, the ground turned over in search of someone’s earthly remains to be relocated, Saint Jude’s would remain, drowsing in the south of the city like a square kilometer levitated right out of another time zone and plunked down in 2012, through the use of some “wibbly-wobbly, timey-wimey stuff” which Rick did not understand but seriously suspected to be perfectly genuine.
“Never a blue box with a spinner on top around when you need one,” he remarked as he stopped the car under the line of skeletal sycamore and chestnut trees. He turned off the engine, opened the door.
“Blue box with a spinner?” Amadeus slid out and closed the door.
“Don’t give me that. You’ve been saving it to the harddrive every week,” Rick scoffed. The car locked up with another stomp-tailed yelp. “Any tomb in particular?”
“Follow me.”




He had been here before — this much was obvious. He knew the way to the old lych gate, knew which way the bolt worked without even looking down … knew the path to take, around the bare trees and ancient headstones … the weeping angels that gave Rick the heebie jeebies lately (and where was that itinerant blue box when you needed it?), and the memorial garden where cremated ashes were scattered.
And there was the tomb, like a small house with an open archway, inside which was the barred gate, padlocked, securing the steps leading down to the crypt. Above the gate was a flourishing, stylized letter M. As in, ‘Jake M.,’ Rick observed as he and Amadeus stepped in under the arch. A few lamps lit the graveyard, their light shimmering on a faint mist that had begun to thicken in the chill humidity.


Amadeus cast about in the short passage leading to the crypt gate, and murmured as he discovered a lantern. It smelt strongly of oil. He flicked a cigarette lighter, lit the wick, and handed it to Rick. “There. For your poor human eyes.”
“And of course you see in the dark like a fox,” Rick said dryly.
“I’d better.” Amadeus was amused.
“You’re nocturnal,” Rick added.
“Like all my kind.”
“You could say, like the pubbing, clubbing rentboys, swingers and assorted nightlife,” Rick snorted. “Urban wildlife.”
“You could say that.” Amadeus’s lip curled slightly. “But if you wanted to drive the Lamborghini the next time we go to Rome, you might think twice about it.”
Rick chuckled. “It’s hell being your minder.”
“You took the job.”
“The way you advertised it, how could I refuse? Besides,” Rick admitted, “I’d had enough of bouncing.”
“You make it sound as if you were a rubber ball.”
“I was a bouncer … and don’t you dare say you don’t know what it means! The language might be faff, but you speak it well.”
“I speak it.” Amadeus looked out across the old cemetery, where the trees were mere skeletons and, beyond them, the sky over the city was definitely lightening. “It’s almost moonrise.”
“That’s what the dude said — moonrise at The Tomb. He’s late.”
“Jacob is never late,” Amadeus said with acerbic humor.
Rick angled a look at him. “You’ve done this before.”
“Many times.”
“You’ve been summoned many times?”
“When I’m in London at this time of year.”
“And this Jake M. — Jacob, is it? — summons you, and you just toddle along when you’re told to?”
“I don’t toddle anywhere. I have never toddled in my life.” Amadeus gave Rick a disdainful look, but the dark eyes glittered with amusement.
“Me Londoner,” Rick intoned, tapping his chest. “You … come to think of it, where are you from originally?”
“Iberia,” Amadeus told him.
“Where the hell is —”
“Spain. Shush now. The moon’s rising, Jake will be here in a moment.” And some note in his voice said, ‘Here we go again.’
Sure enough, the moon was rising over the city, and Rick set aside his thousand-odd questions to enjoy the sight. Bodyguarding for Amadeus had many, many perks, not least among them the fact that, being nocturnal, Amadeus was waking up and getting motivated at about the same time as the city’s party animals. Switching from bouncing at The Hare and Hounds to minding for a reclusive international billionaire had been a challenge, but at least the hours Rick was expected to keep were about the same.



And Amadeus badly needed a minder. In fact, Rick often thought he needed a keeper. He had his areas of terrible fragility that needed to be jealously guarded. It was a very long time indeed since a mob had been known to bay at the heels of one like him, but it was still far from impossible, and being what he was, he was vulnerable. Rick had learned all this a piece at a time, as Amadeus let first one secret slip and then another. Eventually, Rick put two and two together and got five, which turned out to be the right answer.
The wind was shifting again and the passage to the crypt was not the warmest place to be. He shivered animatedly. “Trust the likes of you to hang out in a crypt on Halloween.”
“The likes of me?”
“You know what I mean!”
“I know what you mean,” Amadeus admitted. “And you know full well, I don’t hang out in crypts by choice. It’s just a convenient rendezvous when I’m summoned.”
“Jake makes a habit of it … when you’re in London at Halloween.”
“He does.” Amadeus frowned at the graveyard. “His family is interred all around here. They were buried here for centuries. There are none left now.”
“Except Jake,” Rick said glibly.
“Not quite.” Amadeus seemed determined to be cryptic.
“Meaning?” Rick groaned.
“Take it up with Jacob.” Amadeus nodded toward the rising moon. “He’s here.”
Rick muttered the kind of language that would have got his pocket money docked when he was a kid and in his mother’s hearing, and followed the line of Amadeus’s eyes to the other corner of the structure which housed the upper levels of the crypt. A figure had appeared there, though Rick had not heard him approach, and he must have had an LED torch somewhere on him, because he was enveloped in pale blue light. The wind was in his hair —


And that was when Rick realized there was no wind. The graveyard was absolutely still, the trees were not moving … and the blue light was not issuing from a torch, it was emanating from the figure himself, while his long blond hair floated as if he were in freefall, and his body shimmered.
“Omigod,” Rick whispered.
“Hush, now,” Amadeus admonished.
“But I can see right through him!”
“Of course you can. Jacob! Jake, it’s been — how long, seven years?”
“Seven very long years,” the apparition agreed, coming closer. “You look great. You never change.”
“And you’re looking very good indeed,” Amadeus told him.
Looking good? Rick blinked both eyes as hard as he could and peered at the figure, which had drifted to a shimmering rest just outside their archway. He swore again. “He looks — he looks like Brad bloody Pitt!”



“I suppose he does,” Amadeus mused. “And I don’t suppose there’s any reason why he shouldn’t.”
“He’s a — a— he’s dead,” Rick said lucidly.
Jacob frowned at him, head cocked. He might look like Brad Pitt, but his voice was entirely English. “Who’s the brat, Amadeus?”
“My bodyguard,” Amadeus told him. “It’s been a few years, Jacob. I needed a bodyguard.”
“A minder. You would,” Jake M. said thoughtfully. “You being what you are.”
“Oh, don’t be judgmental, old friend!” Amadeus spread his arms. “Every time I’m in London on October 31st, I get the summons, and I don’t let you down. And every time you say the same thing. Me being what I am.”
The apparition shrugged. “It’s my job. You know it all by heart by now … how many years I spent buried in the counting house, doing business and missing being mortal and human and decent … and how mankind was my business, and all the stuff you don’t do in life you’re doomed to do in death.”
Amadeus was looking at Jake’s feet. “I don’t see them.”
Rick’s heart had stopped hammering on his ribs as if it was trying to get out. He was listening, now, to what was being said. There was something horribly familiar about these words. He had heard them before, somewhere. In a movie? Actually, in several movies — the subject matter had been filmed so often, everybody from Jim Carrey to the Muppets had taken a crack at it.
“I got rid of them,” Jacob said, preening visibly. “Took a while, but if you get your head down and do the job right, you can work through the penance and unload the ironmongery. God knows, it’s been over 170 years … enough’s enough, right?” He struck a pose, like Achilles on the beach at Troy. “Major makeover. What do you think?”
“Suits you,” Amadeus said honestly. “It’s a good look for you.”
“It was time for a change.” Then Jacob dropped back into character, taking on enough gravitas to sink the RMS Titanic. He pointed a sharp, hard finger at Amadeus. “It is well that you answered the summons, for the time has come for repentance. The sins of the past —”
“Oh, give it a rest,” Amadeus scoffed. “You said you’ve done the penance, got rid of the ironmongery. You can quit the job now.”
Jacob seemed taken aback. “I got used to the work. I kind of like it now. Going around, putting the breeze up characters like you. Saving souls.”
“Doing what?” Rick demanded. “Who the hell are you?” He took a half step forward, put himself in front of Amadeus. “I’m his minder. You want to take a pop at him, you gotta get through me.”
“Rick,” Amadeus began.
But Rick was adamant. “Hey, you hired a bodyguard, remember? What kind of useless twat would I be, if I just let him have a go at you? He’s not exactly the Grim Reaper!” He shot a quick look over his shoulder at Amadeus. “Is he?”
“Not exactly.” Amadeus actually chuckled. “He’s a third cousin, twice removed, of the Grim Reaper’s. Jacob is here with the warning … if I don’t mend my ways, it’ll be doom for me … a marble slab in the new churchyard over at Saint Bede’s.”
“Not while I’m minding for you,” Rick said loudly. He pinned Brad Pitt with a glare. “Okay, you, Jake, Jacob, whatever your name is. Drop it. Right now.”
The apparition seemed nonplussed, as if he had never run face-first into a bodyguard. “Whatever my name is? Look around you, boy. There are scores of Marleys interred here.”
“Yeah, well the only Marley I know about is Bob Marley,” Rick began, and then skipped a beat. “Uh, Jacob?”
“Marley,” Amadeus finished.
“But he looks like Brad Pitt.”
“Give me one good reason why I shouldn’t,” Jake challenged. “I’ve been dead for 173 years — it’s not as if I have a body left to look like. You want me to go around looking like the bunch of rags and bones in the tomb?” He made a face. “Now, that would be gross.”
“Yeah, well, no, well, I suppose,” Rick admitted, “but …you’re real.”
“I’m a ghost,” Jacob said patiently. “Nobody ever thought to send for a decent exorcist and get rid of me — or the other three on the team, come to that — so I’m still here.” He flicked back the ends of the long blond hair. “I got to like the job, scaring crap out of people to make them get off their bums and be halfway decent for a change.”
“And save their souls,” Amadeus said doubtfully.
“Well, it doesn’t actually work like that,” Jacob admitted. “I mean, look at me. You can either do the good works while you’re alive and kicking, or you can do them when you’re dead. Your choice, actually. The fact is, like the saying goes, you’re a looooong time dead. You get bored as all hell if you don’t find yourself a proper job.”
“You mean, like haunting someone’s house?” Amadeus was teasing.
“But … but …” Rick swallowed hard. “You were in a book.”
Jacob chuckled richly. “I would have asked for a share in the royalties, but I was dead when it was published, and Charles was too dense to hear me when I came knocking … and even if he’d split the royalties with me, how was I going to spend the dosh? That’s the thing about being dead. They don’t have shops where I live.”
“No shops?” Rick was beginning to doubt his sanity, and turned to the older, wiser head for guidance. “Tell me I’m hallucinating.”
“Trick or treat,” Jacob mocked, making ghoul faces, and then dropped back into the character , the gravitas, and stabbed the sharp, hard finger at Amadeus again. “You will be haunted by three spirits. The first shall come on the stroke of —”
“But it’s Halloween,” Rick protested. “That’s supposed to happen on Christmas Eve!”



“Says who?” Jacob argued. “Charles set the story at Christmas because he wanted to write a book about Christmas. There was no market for books about Halloween back in those days.”
“Rick, shush,” Amadeus said with exaggerated patience. “I rather like this part. It’s where he tells me I’ll be haunted by the Ghosts of Lives Past, Lives Present, and Lives Yet to Come. It’s something of a blast, actually, to use the vernacular. If we hang around here, and you hitch a ride, you can come back with me and catch a glimpse or two of the places where I grew up … the big, dark,drafty castle where I lost my virginity, the garden where I tasted human blood for the first time —”
“Aha!” Jake interjected. “This is where the sins and the atonement and the good of mankind get into gear. Time to save your soul, my dear boy.”
“Jacob.” Amadeus folded his arms on his silk-shirted breast. “In the first place, I was born the way I am, not made.”
“Vampire.” Jacob’s nose wrinkled, and he looked at Rick. “You know about all this, do you?”
Rick shoved both hands into his jeans pockets. “I, uh, know about it. What’s it to you?”
“Me?” Jake shrugged. “I just like saving souls. I suppose I do it on a hobby basis, now I don’t actually have to.” He gestured at his feet. “See? No more chains.”
“In the second place,” Amadeus said, louder, “I can’t stop being what I am, any more than you can stop being a ghost. I’m already a philanthropist, Jacob, as well you know. I fund a symphony orchestra, and a dramatic society, an art school, and a publisher of arcane literature. What more do you want?”
“A hospital,” Jacob suggested.
“All right, a hospital,” Amadeus agreed.
“For orphans.” Jacob looked satisfied.
“A hospital for orphans. It’s perfect. Why didn’t I think of it myself?” Amadeus demanded with scathing humor, and lifted a brow at Rick. “He was always like this, even when he was alive. He’d like to tell you dying changed him, but he was always manipulative. He got it from his father and his paternal grandmother.”
“You knew them.” Rick wondered why he was surprised.
“I knew several generations of Marleys,” Amadeus mused, “and there wasn’t a Robert among them.”
“Bob,” Rick corrected. “It’s Bob Marley. Or it was. He’s dead now. And he was Jamaican.” He glared at Jacob. “Not one of your mob.”
“I’ve never even been to Jamaica,” Jacob said thoughtfully.
“Why not treat yourself to a vacation,” Amadeus suggested. “You can go right there from here. It’s nice at this time of year.”
The apparition frowned at him. “The hospital?”
“You’ve got your hospital,” Amadeus promised. “For orphans, specifically … which I take to mean we toss all the other sick children back out into the street.”
“Amadeus!” Jacob might be dead, but he could still roar.
“Not just for orphans, then,” Amadeus said smoothly, not in the least threatened. “Orphan friendly, perhaps, yes?”
“Then, I can tell the rest of the team not to bother coming tonight —?” Jacob relaxed visibly. “Saves them the time and trouble, which puts the smiles back on their faces — they can be a disagreeable, taciturn bunch, especially his lordship, Yet to Be. All these years, and I’ve never managed to wring a word out of him. Never even a syllable. He just does the skeletal finger thing. In fact, I’m not even sure it’s a him. Could be a her, for all I know.” He thought over the turn of events and said speculatively, “Jamaica.”
“Where the rest of the Marleys come from,” Rick said wryly. “Reggae, rum, cricket, the works.”
“Vacation,” Jacob said, and his voice was becoming thin and pale, as was the rest of him.
Amadeus took a step forward. “Jake, you’re fading out. Are you leaving already?”
“I — what? No.” Jacob seemed to notice what was happening, and looked around wildly. “Omigod — no. No!”
“What?” Rick was beside Amadeus, watching the apparition panic. “Jake, what?”
“I — I’m being exorcised,” Jacob wailed, shouting, though only a tendril of sound made it through to Rick’s ears. “I don’t want to be exorcised! I want to go to Jamaica! Amadeus — Amadeus, do something!”
But the vampire was obviously at a loss. “I’m a vampire, not an exorcist, Jake, I’ve never even attended an exorcism! I wouldn’t know where to begin to stop one.” He reached out to Jacob as if trying to touch him, but his hand passed right through the insubstantial stuff of the ghost. “Jake! You’re fading fast, tell me what to do!”
The apparition looked pained, distraught, panicky. “Clap your hands,” he whimpered.
“Do what?” Rick strained forward toward him. “Jake, do what?”
“Clap your hands,” Jacob moaned, “and say, “I do believe in ghosts!” He wailed, as if in agony. “Say it, say it!”
He was fading rapidly now, just a thin, wavering remnant of him was left, and Rick clapped his hands hard, echoing the sharp raps of Amadeus’s palms. “I do believe in ghosts,” Rick said loudly.
“I do believe in ghosts,” Amadeus called. “I do — I do!”
Rick stopped short in mid clap. “Just a second. Just one bloody second — that’s Peter freakin’ Pan.”
“It’s what?” Amadeus looked sidelong at him.
“It’s the part where Tinkerbell swallows poison to save Peter,” Rick said coldly, and pinned the apparition with an accusatory glare. “You … you toerag.”
The ghost brightened till he looked almost corporeal, and doubled up with ribald laughter. “Got you. Trick or bleedin’ treat! Got you, got both of you!”
“Got me. Us,” Amadeus intoned. “Are you happy now, Jake? Are you satisfied, now you’ve embarrassed me in front of my bodyguard?”
Jacob smothered his amusement. “I meant it about the hospital.”
“One children’s hospital, orphan friendly, on the fiscal agenda for 2013,” Amadeus said with all due solemnity. “Jamaica?”
“Jamaica,” Jacob agreed, “where the rest of the Marleys come from. I wonder if we’re related?”
He was fading once more, but this time without the performance. “I’ll see you again, Amadeus.”
“And my soul?” Amadeus called after him.
The ghost guffawed. “Like you have to worry about some marble slab at Saint Joseph’s. Vampires are immortal.”
Then he was gone.
Amadeus stooped to blow out the lamp and set it back on the shelf just inside the archway. “Clap hands and say, ‘I do believe in ghosts.’ Damnit, I must be getting slow.”
“Either that, or you never saw Peter Pan.” Rick stepped out into the graveyard.
“I’ll rent the DVD.”
“I’ll get you it for Christmas,” Rick muttered. “That and Dracula.”
“I’ve seen Dracula.”
“Peter Cushing and Christopher Lee?”
“Frank Langella. In fact, he signed a picture of himself when I met him at the London premier.”
Rick’s chin dropped for the second time that evening. “You met Frank Langella?”
“Of course. There was a charity event, I gave thirty thousand pounds. Mr. Langella and I drank champagne. He was most charming.”
“And soooo good looking,” Rick crooned. “And he never never guessed he was talking to the real McCoy.”
“The real what?”
“A vampire.” Rick plucked the carkeys from his pocket and surveyed the graveyard critically as they started down the path back to the lych gate. He hurried the pace, wanting to get out of the dampness. The high humidity and rapidly chilling air were causing a thick mist to form. It wound and coiled around the gravestones, and those damned weeping angels. “This place,” Rick said succinctly, “is giving me the creeps.”



“It’s full of Marleys.”
“All this time, I thought he was out of a book.”
“He was out of a book.”
“Only because Charles Dickens put him in it!” Rick jingled the carkeys. “So … did Dickens meet Jake while he was alive, or after he was dead? Jake, I mean. Dickens probably had to be alive to write the book.”
The vampire’s brows rose. “I don’t know. I honestly have no idea. You know, I never thought to ask. Next time.”
“In another seven years? The next time an invitation card materializes on the table in the hall, at Halloween?”
“That would be the time.”
Rick groaned. “I need a beer.”
“You need dinner,” Amadeus corrected.
“I’m not hungry.”
“But I’m starting to feel a little … peckish.” The pink tip of Amadeus’s tongue flicked out across his lips. The moonlight glistened on the too-sharp point of a canine tooth for just a second before it was gone again. “You need to get some food inside you, so I can feed.”
“Oh. All right.” They were at the lych gate, and Rick aimed the keyring at the car. It yelped as it came to life. “Fish and chips again, on account of you can’t stand garlic, so I can’t have French or Italian.”
“Try Indian. I’ve a fancy for something spicy. Have a nice Madras curry, with naan and papadums on the side.”
“And a beer,” Rick growled as he swung open the door.
“With a whiskey chaser. I like the way it simmers in your blood.”
Pausing with the key on the way to the ignition, Rick regarded the white-haired young man over the roof of the car. “You know, I got a lot more than I bargained for, when I answered that ad in the paper. I only signed on as your minder.”
“Regrets?” Amadeus wondered.
For a moment Rick stopped to think, and then shook his head. “Only when you drag me into crypts in the middle of graveyards on Halloween.”
“You don’t have to come next time.”
“I might, though, if you take me along for the ride, when Lives Past shows you the creepy old castle where you got laid for the first time, and the garden where you first tasted human blood.”
“Even I was young once.”
“You still are.”
“Only on the outside.” Then Amadeus was in the car. “Where are we going?”
“The Bombay Umbrella Club,” Rick said promptly. “You want Indian, you get Indian. Nothing but the best for the boss.”
“You’re too kind. What did I ever do to deserve you?”
“Put an ad in the paper,” Rick told him glibly. “You wanted a bodyguard, remember?”
And Rick had wanted to move onward and upward from the job of bouncing at a rowdy pub. He revved the engine and flicked the indicator, but no traffic was coming. The November night was calm, damp, cold, sharp with the promise of winter right around the corner — but first, fireworks in a few days’ time. On the fifth, it would be Rick dragging Amadeus out to see the spectacle, if several tonnes of exploding gunpowder could rival meeting an actual, genuine ghost, face to face.
I do believe in ghosts, I do! Rick mocked himself and turned the car in the direction of the best Indian restaurant on this side of London. 



**************************

Happy Halloween, 2012!

Jade ... October 31



2013 EDIT: a whole suite of new art was produced back in 2020-ish, re-illustrating this story:







To see the whole lot, and read the re-edited story (it gets a polish-up, which perhaps it needed), transfer over to my writing blog for An Invitation to The Crypt. Thanks for looking!