![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEia9OLZd-6gz7CnFcd25w7s3lM6om0Pr2cyy2sZQhiJwUh-o-deRBmfGtvAEuAKOpy36KwqRweGeRrZ-gBtg90J2JZvv_hTjqRYNE8u7IdIBpOnNFh21KXevTrd1rhpXaaGcqvwvu45fdTy/s400/dawn-3D-cinemascope.jpg)
(Click on the above to see it at full size ... you'll be surprised!)
The Cinemascope setting is to be found in the drop-down menu under Render > Render settings > Presets. They have every preset in the world on the menu. The CinemaScope one is 600 x 225, expressed in pixels.
Which means you can set up your backdrop to the last pixel, and then work with a pre-designed character. This is too easy. The shot above was done using a 1200x 450 crop from a shot of Lake Alexandrina, over the rooftops of the "shacks" at Milang a couple of years ago. It's quite en evocative shot to start with. Then, add yet another permutation on the Michael 4 model, and get the whole thing posed ... and render it.
(This Michael 4 is wearing a face designed by me, plus a blond version of one of the hair styles ... the Billy Hawke hair, I think ... plus the leather jacket and rollneck sweater.)
The shot says a lot. It's dawn, he's making his way into a small town, and he's looking for someone or something. Could easily be a movie frame. I'm very pleased with this effect ... will be doing more in this format. You can get tired of being "stuck" in the 2:3 ratio for book covers. The artist hiding inside starts to rattle its chains, wanting to get out.
Jade, 27 October